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By Katherine Dunn. Description National Book Award finalist Here is the unforgettable story of the Binewskis, a circus-geek family whose matriarch and patriarch have bred their own exhibit of human oddities with the help of amphetamine, arsenic, and radioisotopes.
Taipei (Vintage Contemporaries) (Paperback)
Their offspring include Arturo the Aquaboy, who has flippers for limbs and a megalomaniac ambition worthy of Genghis Khan. Iphy and Elly, the lissome Siamese twins. As the Binewskis take their act across the backwaters of the U. More straight-forward now, sometimes the covers were still pretty, but often times nowhere near as interesting to me as that first generation.
And even without the dot matrix and white background, the cover of the V. That, maybe more than anything else, might help begin to explain my fondness for the covers. In the mids, when I was 5 or 6, I visited the Art Institute of Chicago for the first time on a field trip from my school in Skokie, Illinois. Even as a young child on my first ever visit to an art museum, I remember looking at that one work of art and not understanding what I was feeling.
There was something unsettling about it, something lonely, but also something beautiful and maybe familiar. I can go back to that moment, a little sliver of time wedged between years of family trauma. I can recall standing there and looking at the painting, some strange, uneasy feeling washing over me. Did somebody say something awkward? Is it a holdup? Is there about to be a holdup? Did somebody die? Do these people all know each other? Those seeds planted in my brain early on, images from my childhood that affected me then have stuck with me to this day.
My senses often overwhelm me and I rarely ask why or what the root of my feeling is. I believe there is a reason certain tastes, scents, sounds, and sights move me the way they do; part of it is conditioning, the other is deeper. For instance, I have no connection to the church, but I have grown to love gospel music and feel myself moved by the passion. Those roots run deep. That probably begins to explain my obsession with Vintage Contemporaries.
The covers beg me to try and understand the story the way I tried to understand that painting. Will I eventually prove myself wrong and find those books? And if I do, how will I feel? The things I have around me tell some kind of story.
The painting, Van Nuys Boulevard , is a lonely shot of two people buying tickets to see a movie. These clues to the past that I have all around me, these books and records that are mine for this short time on this planet, they are material things, yet they have taught me so much. These things give me reason to keep searching and wondering.
Editor: Sari Botton. Click to share on Twitter Opens in new window Click to share on Facebook Opens in new window Click to share on Pocket Opens in new window Click to share on Instapaper Opens in new window Click to email this to a friend Opens in new window.
The Sleepwalker: A Novel (Vintage Contemporaries) (Paperback) | Liberty Bay Books
Like this: Like Loading Posted by Jason Diamond on October 20, Post was not sent - check your email addresses! Sorry, your blog cannot share posts by email. In a collection as warmly engaging as it is ruminative, Jonathan Lethem shows himself to be as much a master of the personal essay as he is of contemporary fiction. Merchant Services. Shopping cart There are no products in your shopping cart.
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